Made of tonal signature fabric with soft port and Nappa leather trim, braided leather strap with antique brass hardware and Coach leather hangtag, fabric lining interior with numerous pockets that organizes all your travel essentials. Thru bagzilla.com.
What scares a bunch of gay men and young, urban women more than a pregnant lady? As it turns out, not much! And that might be the primary lesson that we learned on this week’s Project Runway.
They’re particularly terrified when forced to make an outfit for one. Which is kind of counter-intuitive, considering all the empire waist, babydoll, flowing tops that we’ve seen in fashion over the past couple of years. If you can figure that part out, then don’t you just drape the dress with more fabric in front so that the hem hangs straight at the bottom? And they had these weird pillow things to strap to their dress forms, so shouldn’t they have been able to figure that out?
And some of them did, while others chose to make carriers for all manner of round objects – bowling balls, eggs, you get the idea. And guess what! Those people weren’t rewarded. We try not to bore Nina, after the jump.
I continue to be impressed with the fact that Project Runway still feels like Project Runway, even on Lifetime and in Los Angeles. We had a bit more personality coming out this week than we did the week before, and we’ll only continue to see more as there are fewer designers on which to focus (and next week, we have a partner challenge, so everyone will start hating each other then, surely!). And while not everyone is blowing me away, most of this week’s looks were decidedly NOT bad, which is rare to say so early in a season of this show. We haven’t even gotten rid of the riff-raff yet.
The challenge was to create a stylish maternity outfit for Rebecca Romijn, who was pregnant with twins when this show was taped eight years ago. She wanted something flattering and body conscious. Simple enough, but only one of the designers had ever been pregnant, and a lot of them were baffled. The top three were all women and the bottom three were all men, which I have to believe was not a coincidence. Pregnancy – confusing to dudes! And the pregnancy simulation was, admittedly, completely bizarre. They strapped pillow bumps to their stick-thin, not-anywhere-near-pregnant models, and instead of looking like they were going to have babies, they just looked like they had lumpy, misshapen pillows strapped to them.
The girls in the top three all made pretty, dark-color dresses that would be plenty comfortable for sitting and moving with an enormous preggo-eggo (as our beloved Shannon would say) belly. Althea was the only person (that I can remember, at least – sheesh, there are like 100 designers left) that made an evening gown, and despite the fact that it looked like the model’s boobs were going to pop out, it was actually quite pretty. It accented the shapelier parts of a pregnant body and used jersey to drape over the bump itself, giving the dress some give and movement. The ribbons that made up the bodice weren’t exactly matched up in the back, which requires me to deduct points, but a solid effort nonetheless.
Louise, who is Kenley verson 2.0 (meaning not nearly as annoying and a better designer) made a negligee-inspired cocktail dress out of scarlet silk and hand-dyed lace, and I swooned. It was teared and pleated and perfect. It was also sexy and pretty, which is too often not something that pregnant women are allowed to be, and if it was too sexy for some, it would also have been pretty with a shrunken cardigan over the top. It would have been my pick to win, purely for the amount of work that went in to it and how professional and perfect it looked when she was done.
But Louise didn’t win, Shirin did, which I don’t entirely disagree with. The pleated waist of her burgundy jersey dress was gorgeous and not something you see often, and the draping of the neck was a great way to add texture without complicating the dress’s structure. Plus, she made a charcoal coat with a LINING to go over it, and in the Project Runway universe, making a lined coat is like birthing the Baby Jesus himself. They should have just skipped the runway shenanigans and given her the win in the workroom as soon as she completed the coat. Her win was virtually guaranteed by that point.
And then there were the not-so-successful designs. Mitchell was the only repeat visitor to the bottom three, and Malvin and Ra’mon, who had been in the top three last week, joined him.
Ra’mon decided to give Rebecca some pregnancy racing stripes and made a dress that looked like a 70s bowling ball bag. Mitchell, the gay little elf from Savannah that made nothing but a collar in the first episode, was the first to recognize the resemblance, and his off-the-cuff comment sent Ra’mon fleeing from the room on the verge of a breakdown. Really, it was epic, and the entire exchange made me and the friend I was watching with giggle incessantly. And that’s when I knew this season was going to be okay – personalities are emerging quickly, the designers are talking smack, the people are real and believable. It’s still Project Runway as we know and love it! The fact that he later decided that instead of being crazy, that he was in fact the front runner (!!!) almost immediately after he flipped out made my night.
And then Ra’mon made a reference to STELLA and her LEATHAH from last season, and I knew that I would love him forever. And despite the fact that his dress was atrocious, he got to stay, which I’m totally fine with – his dress last week was great, and his concept just didn’t pan out this time.
And perhaps if Mitchell had spent less time making fun of Ra’mon’s bowling bag and jumping around in his enormous shorts and more time working on his outfit, he wouldn’t have produced the pile of crap that he did. His shorts had to be the worst-executed thing I’ve ever seen on Project Runway, and they showed a complete inability to plan for proportion once a garment has been fitted. If he was planning on gathering the top of the shorts so much, why not make the leg holes SMALLER? So that, ya know, they’re appropriate for the garment after the size of the top has been altered? One of the other designers mentioned that he had previous experience designing maternity, and if that’s true, he definitely would have been my choice to leave. Even if it’s not, I still think he was the worst of the week. But he didn’t go home.
Malvin did. Poor, weird Malvin. His outfit was a wacky chicken/egg contraption, sure. He adhered to his concept too slavishly and didn’t consider wearability as much as he probably should have. But he did execute it very well, even the judges commented on the beauty of some of the construction, and I must protest vociferously the fact that he was sent home instead of Mitchell, who cannot create a concept OR execute. In Project Runway, being unable to actually make clothes has always been a greater sin than having a wacky idea, and Malvin had created a perfectly reasonable, pretty dress during the previous challenge. Mitchell had turned out two piles of crap, the second bigger than the first, because it was actually made of clothes. Bad ones.
My write-in vote for the top three would have been Christopher’s (who didn’t go to college! Has he told you yet?) jewel-purple bubble-hem top with pleating at the bodice (seriously, where do I order one? I already have the tights to go with it. I’m not even pregnant). For the bottom three, I think the correct people were chosen, but I’d also add Epperson’s ivory disco pregnancy jumpsuit. When you have a baby kicking you in the bladder, how bad of an idea is it to wear a giant preggo onesie? Terrible, or totally terrible?
Alas, Mitchell lives to design another day and we send home a designer that should have been great fodder for recaps for weeks to come. If you believe that an injustice has been done here, I implore you, call your congressman on behalf of Malvin.
While the time of “it” bags is surely over, there are still hit bags that continue to grab our attention each season. Last year we were all handbag-star-struck by the Chloe Paraty bag. First spotted on Katie Holmes, the bag could not stop generating buzz. Who is it by? When it is available? Is there a wait list? Everyone had to have this particular Chloe Bag.
I still love this bag and prefer it in python, like all of the hot stars continue to sport. The color of choice is black python (pictures of Rachel Zoe continue to surface with her sporting hers). When this handbag came out it caught our attention, it drew us in, and we all were loving it. Is this just a bag of last year or is it a bag that is here to stay? What do you think about the Chloe Paraty now?
Buy through Net A Porter for $3820.
If this bag is any indication, Lanvin is continuing their endless mission to morph their bag line into an a slighty hipster-y version of Chanel. I generally hate it when others complain that a bag looks like it’s Chanel just because it’s quilted or has a chain handle, but I can’t help but think that it’s an incredibly apt comparison in this case.
Not only is the Lanvin Happy Sac Partage Bag bag quilted, but it also has a chain handle, and its a flap bag with a front closure, just like a few other bags we’ve all seen in the past.
In fairness, this bag is made of navy blue velvet instead of the black leather that Chanel uses time and again. So that’s a difference, although Chanel is no stranger to velvet in general. And it’s quilted in a chevron pattern instead of the diamond shape we’re used to, so that’s another one. But on the whole, the feel is just sort of…similar.
Which disappoints me, since Lanvin is one of the most exciting brands that there is right now. They make collection after collection of interesting clothes and shoes, but their bags lag behind the rest of their creations (with a few notable exceptions). I’d rather they made awful things than make boring bags that we’ve seen done better elsewhere, which is exactly what they seem to be up to lately. To make matters worse, I’m not every going to pay $1500 for a bag made of velvet. Buy through Net-a-Porter for $1500.
Some Bagista’s quiver at the sound of “vintage Chanel” in hopes of finding a one of a kind piece to add to their collection, or simply to admire a lovely well cared for accessory. To my surprise, I found this authentic vintage Chanel over at ShopBop (dot com) brought to the online fashion boutique by What Goes Around Comes Around Vintage.
That might sound a bit confusing, so in case you aren’t aware, WGACA are the nations leading experts that specialize in finding true vintage pieces around the globe. This Double Chain Tube Bag made it’s way to their possession and is available for sale right now.
This quilted leather Chanel is said to be from the 80’s and for the time being, it appears to be in such great condition. The barrel shaped shoulder bag suspends from Chanel’s signature double chained leather straps and deep gold hardware can be found decoring this piece. Chic logoed C’s are found at its exterior sides and dyed grained leather lines it’s interior. Small and cute, this Chanel would make the perfect accessory to any formal outfit. With a rare piece like this comes a pretty steep price tag, you can purchase this Vintage Chanel for $2,750.
Love this? Find this piece online through: Shopbop
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Last fall we had the pleasure to meet with the designers and co-founders behind Be&D, Be Inthavong and Steve Dumain. Be&D reintroduced the Garbo when we were at the press preview and we could not have been more thrilled. In 2004, most handbag designers were sticking to the basics. At this time I was still exploring my love of handbags (this is pre-PurseBlog days). Though many bags continued to look similar, there was a standout that caught my attention. It was studs. Glorious studs on the Be&D Garbo satchel.
At the time the idea of a studded handbag was foreign. No other designer was doing it and in my mind Be&D was one of the first brands to release a studded handbag. The duo became known for their studs. So while they did follow up with other successes, like the KanKan, the studs were dearly missed.
The re-inception of the Garbo could not have come at a better time. The entire fashion world may not have been ready for studded handbags in 2004, but it is 2009 and we are seeing studs everywhere from everyone. For its 5 year anniversary, Be&D brings back the Garbo. Perfect timing, indeed. Now it is time for us to give you a look at the Garbo collection from Be&D; from bags, to shoes, to clutches.
The Garbo collection is unlike other designers who introduce studded bags. Nothing about these pointed studs are dainty. A seriously edgy handbag needs serious studs, and Be&D delivers. The downside of the studs is the weight, as the bags run quite heavy – even for an over-all studded handbag.
You will not stay occupied thinking about the weight when you get your hands on a Garbo bag. The lambskin is seriously supple, one of the softest I have felt in a long time. The colors are saturated beautifully into the leather and pop against the stud detailing. The whipstitch detailing on the handles gives a subtle yet sophisticated addition. The collection can be defined as the epitome of punk modernity.
When it comes to studded handbags, Be&D has perfected the art. Other brands are desperately trying to keep up with this trend, but Be&D invented it. The bags are modern, funky, and mean serious business. We were loving every bag, from the classic satchel (stack at the top of the post) to the fun clutches. We could not be more thrilled that Be&D brought back the Garbo for their 5th anniversary, and now Garbo will not be going anywhere.
PB: Tell us about your first launch of the Garbo: When did you launch it? How was it different from the other handbags? Your vision?
We launched the first Garbo in July 2004 in Bergdorf Goodman. We felt their was a lack of fun in the luxury fashion market and wanted to see if we could fill that gap. The idea for this piece for us was to be a very seriously crafted bag but with a rock and roll appeal that was still glamorous but tough. There was nothing like it in the market and we just loved the feel of the super soft lamb with the metal studs.
PB: Now every designer is releasing at least one bag in their collection with studs. Do you feel like you started the stud trend?
Right after we launched that bag back in 2004, there were a lot of great young Hollywood ladies wearing it, which really caused our big luxury competitors to take notice. We were so little known at the time – that only super serious fashion girls knew who had started it. At first it was difficult to see this happening – but it really is an honor in a way and everyone says there’s no higher form of flattery. There are many editors who tell us we started the stud trend – but it was really just a fun moment for us that we felt was super relevant to how we felt about life at the time. I guess the Garbo bag has many illegitimate siblings running around out there in the world – and it’s really a wild feeling to think we were in some way responsible for the way so many women were dressing.
After the big craze post Garbo- we had another one that made us very proud called the KanKan (spotted on Katherine Heigl). This bag also had a similar trajectory if you look at the timeline – it’s very cool to see what became of that look.
PB: Will you keep the Garbo as part of your collection for good now?
I think she’ll be a permanent part of our collection from now on – and in some way will always influence our designs – whether it be the super soft structure or the rock and roll look – or just the feeling we had when creating her.
PB: What is next for Be&D? Can we expect more studs or do you have something else up your sleeve?
There’s definitely something up our sleeve that we just finished up for Spring 10′ that is so exciting for us – hopefully you’ll all feel the same.
If this bag is any indication, Lanvin is continuing their endless mission to morph their bag line into an a slighty hipster-y version of